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Featured Post

Website Update - Important: New Blog Test Run

Dear Readers, The original website ( https://dinarchronicles.com/intel/ ) has been updated. All posts will be published on the "Intel&q...

Sunday, February 28, 2021

"Movies Need Distribution, and Hollywood is the Gatekeeper" by Cinemo Galactic - 2.28.21

Entry Submitted by Cinemo Galactic at 8:00 AM EST on February 28, 2021



"Juan O’Savin: Disclosing the Children and Getting our House, America, in Order" by Kat - 2.28.21

After another great transcribe from Kat, its important for this community to understand just how much evil surrounds us, particularly in media and entertainment.

Kat speaks of the event recently where some were invited to Vegas to screen a movie SOUND OF FREEDOM by director Alejandro Monteverde. I’ve been watching his career for a while, back to his wonderful film BELLA about abortion. Monteverde has never reached the status of some of his fellow latino filmmakers, like Alfonso Cuaron, solely because of the stories he’s chosen to tell.

As I’ve mentioned in many posts, I learned many years ago that certain stories will never see the light of day, and that God-centric content will reach an ultimate dead end. I’m not referring to faith based movies, which are a nice little niche of biblical films kept in a quiet corner with limited mainstream marketing or awareness.

I’m talking about big, new stories, in all genres, that bring new and creative ways to bring hope, redemption, faith, courage, and love to global audiences. Movies, stories and content that push the limits of sight and sound for the ultimate form of entertainment in the cinema.

But this wonderful film SOUND OF FREEDOM, as of today, has no distribution. No where can I find any information on if its found a home with a sales/distribution company for theatrical release, or found a home on one of the many streaming platforms that are spending hundreds of millions a month on new content.

We all know why, right??

The story. The message. The highest levels of media and entertainment are complicit in these horrific crimes and DO NOT want anyone to awaken, to wake up to the evil around us. The stories I’ve personally created have been met with high interest on certain levels, but once they start to climb the ladder someone in a very high position always has an issue with “the message”.

One of my most recent projects is an action military story called FIDELIS.

“Four Americans are recruited to form the first anti-terror operation tasked with covertly and autonomously infiltrating and destroying terrorist's organizations around the globe, leading to a secret civil war within the US Military and rogue intelligence agencies.”

I signed a shopping agreement with a group behind the series OZARK on Netflix. One of the producers I corresponded with loved it. So he set about to package the project to pitch to streaming companies. But once he began the process (he was in London), he brought in his colleagues in the LA office. And that’s when things went south. The agreement has since expired and they’ve ghosted me. This project has a twist in it that Hollywood doesn’t want to tell. These four special operators, in the second episode, come across a horrific satanic child sacrifice, something that changes their mission and leads them to the reality that the entire war on terror is a false flag.

I have several high level military contacts consulting on it, which I openly share with prospective companies, which ultimately is a trigger for denial for some of these people.

Hollywood as a whole is in massive denial of the evil that runs it. I believe there are good people within it, but its almost a means of survival and keeping their job by not getting behind certain stories, keeping their head down and not getting involved.

I admire Monteverde for the fortitude to tell these stories, but until a new breed of storytellers and filmmakers are empowered to tell their own stories, and not have to seek permission from anyone (which means asking for funding) and establish new distribution models, these important stories will never reach the masses they’re intended to.

And just an interesting side note: I recently found the personal mail address for the Director of Original Series at Netflix. It’s master****666@**.com . Personal emails are created by the owner, so the 666 reference is not an accident.

I could go on for hours on small instances where major Hollywood players are against anything to do with God. Even characters that share the name of archangels. Yes, you read that right. If you have characters named Michael, Rafael, Uriel and Gabriel, and simply mention the coincidence in the story, certain directors and producers will request you change the names before they attach themselves to the project. True story.

I hope we’re at the point where a great beginning is upon us. A time to start anew, to start new companies with unlimited resources to change the game forever, and finally allow a generation of innovators and storytellers to come out of the shadows.

Cinemo Galactic
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Dinar Chronicles is not a registered investment adviser, broker dealer, banker or currency dealer and as such, no information on the website should be construed as investment advice. We do not intend to and are not providing financial, legal, tax, political or any other advice to any reader of the website. This website is...Read More